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The Perils of Trying to Please

A new production of Gaetano Donizettis opera LElisir dAmore tries a little too hard to impress and falls flat. Director Alexander Petrovs take on Donizettis most famous opera was well received by audiences.

Published: April 10, 2013 (Issue # 1754)



  • Despite coming off as a bit naive in its staging, the operas vocal performances were as outstanding as ever.
    Photo: Natasha Rezina

With the official opening of the Mariinsky Theaters stage due to take place in a few weeks time, the theaters artistic director, Valery Gergiev, has been determined to create easily-digestible, lively productions for the company that are free of ponderous contemporary allusions, and are as easily appreciated by children as by their parents.

It was with this task in mind that the artistic duo of director Alexander Petrov and conductor Pavel Bubelnikov conceived the theaters new production of Gaetano Donizettis ever-popular opera LElisir dAmore, which was unveiled at the Mariinsky Concert Hall on March 28.

Trying to find a balance between the accessible and the rigorous in the hope of pleasing opera mavens and casual spectators alike is no easy feat.

It is difficult enough to simply create an operatic production that offers food for thought for connoisseurs, but the added burden of trying to make it accessible as well has seen the company struggling with the consequences of its artistic experiments, which regularly divide opinion.

While some spectators have enjoyed considering new conceptual conceits, the pointed social critique or the unorthodox treatment of a classical work, others have complained about what they see as the unnecessary gilding of the lily. Conversely, when the crowds have given new productions a rousing reception for truly following the composers intentions, the performers have been greeted with acerbic reviews that accuse the directors of being lazy and boring.

Alexander Petrovs take on Donizetti looks set to continue the trend. His production, which was relatively warmly received by the audience, failed to break any new ground. As a result, it will likely see the more discerning audiences pass it over for more challenging fare.

The opera, which is set in a Tuscan village, revolves around a love triangle between the sheepish peasant Nemorino, the flirtatious beauty Adina and the self-satisfied Sergeant Belcore.

At the start of the opera, the animated, light-hearted heroine appears to have chosen Belcore, which prompts Nemorino to seek out the services of Dulcamara, a charlatan who concocts a love potion for the forlorn suitor.

In the end, however, it is money in the shape of a large inheritance from his uncle that wins Nemorino popularity with the village girls, while his decision to join the army appeals to Adina. But despite the facts, everyone, Nemorino included, prefers to believe in the magical properties of Dulcamaras dubious concoction.

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ALL ABOUT TOWN

Monday, Sept. 1


Today marks the beginning of Lermontov-Fest, a fall festival celebrating the life of one of Russias most remarkable poets who, in a fate eerily similar to Pushkins, was killed in a duel at the age of 26. Organized by the Lermontov Library System, the next several months will see art exhibitions, concerts and public lectures focusing on the Lermontovs short yet prolific career. Check the Lermontov Library Systems website for more details.



Tuesday, Sept. 2


Join expats and practice your Russian during the Russian Clubs weekly meeting tonight at 7:30 p.m. The club is free to participate in although you need to be a registered member of Couchsurfing.



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